Saturday, March 24, 2012

Saturday life #1

Saturday morning cartoons, sleeping in after a long work week, nursing a hangover from an epic rager the night before.

None of those things really appease me. Especially since I started getting migraines, I feel terrible if I sleep in on Saturdays or Sundays. I need to be doing something productive. This weekend solved that fairly easily, as I am going to be wandering around town getting taxes done, and then working the second half of a shift at work. I haven't worked a Saturday at our pharmacy in quite some time. Also, my brother's band is in town and playing in Springfield. I missed them last night but tonight they rock the whiskey river saloon for the second straight night and I am going to try my best to catch them.

Now off to intercept some money being loaded to me. Thanks jmo!


- Posted using BlogPress from my iPhone

Location:W 10th Ave,Eugene,United States

Tuesday, March 20, 2012

Film #1: 3/20/12

I've been watching a lot of film, like usual. Last films viewed:

1. The Long Goodbye, Altman, 1973, 8.2/10
Good movie. Watched most of it in a semi-lucid state, kinda dozing off, and then tackled it from start-to-finish the next day. Altman's movies should be taken as a sort of laid back critique of US bullshit, and I love him for it. Elliot Gould is fantastic as Philip Marlowe (Also good is Murder, My Sweet). I wasn't particularly taken by Mitchum's Marlowe in Farewell, My Lovely. Simple, slow-developing (free of narrative at times) like a typical Robert Altman movie.

2. Killer Elite, Peckinpah, 1975, 5.0/10
Bland. Not quite terrible most of the time, but Peckinpah's film is a letdown here. I have never been a James Caan fan, and this is no different.

3. Pat Garrett & Billy the Kid, Peckinpah, 1973, 6.0/10
Despite some great scenery and cinematography, solid acting, and a fairly unusual pacing, this film bogs down. Rumor has it that Peckinpah had studios hassling him non-stop and you get the feeling this film might have been different were that not the case. Kris Kristofferson looks like a baby with an oversized melon too.

4. Machete, Rodriguez, 2010, 7.3/10
Parts of me want to give this film a 10.0 for sheer pleasure. Awesome, stylized gore in the vein of mixing Tarantino (Rodriguez's muse) and troma films. Lloyd Kaufman would be proud. It also had a sort of Troma-like liberal plot which added to the enjoyment for me. Danny Trejo was good too.

5. Repo Man, Cox, 1984, 6.0/10
A for Effort for Cox in trying to shake things up a bit. The soundtrack is good. The plot/storyline was really disjointed, however, and seemed rather impromptu. Never been a big Emilio Estavez fan.

6. Gettysburg/Battle of Gettysburg, Maxwell/Hoffman, 1993/1955, 7.0-6.0/10
Well-told story about a commanding officer and his troops as they near the town of Gettysburg and prepare for battle. Battle scenes were pretty amazing and the acting superb. Not a lot of background was given in either the feature film or the documentary about what led our nation up to this point. Context would have given this film a 8-9.

7. Vagabond, Varda, 1985, 9.2/10
First realist movie I've seen in a bit. Great stuff. We follow a vagrant (by choice?) as she lives out her final days on the rough road of a solitary, female hitchhiker. Highly recommended!

8. Buffalo Bill and the Indians, or Sitting Bull's History Lesson, Altman, 1976, 8.1/10
Pomp and circumstance. Buffalo Bill (Paul Newman) is a cocky westerner with his own variety show. The tents and mini-town created by Altman are fantastic and the sarcasm and cynicism is on point here. This will get better with repeated viewings as well.

A New Commitment - Tuesday, March 21st, 2012

Food
Monday - Sandwich/Soup
Tuesday - Brenner
Wednesday - Spanish
Thursday - Italian
Friday - Pizza
Saturday - Asian
Sunday - Free

Blog
Monday - A look at the week
Tuesday - Film
Wednesday - Music
Thursday - A look at the weekend
Friday - Life
Saturday - Life
Sunday - Weekend review